Scriptura Antiqua: Portrait Concert Sánchez-Verdú
Peterskirche Heidelberg
Komposition:
- Josquin des Préz: Nymphes des bois, für fünf Stimmen
- José María Sánchez Verdú: Exitus I (a), Atlas, für Streichtrio und Auraphon, 2011-2013
- José María Sánchez Verdú: Exitus I (b), Atlas, für Streichtrio und Auraphon, 2011-13
- José María Sánchez Verdú: Scriptura antiqua, 2010-2011
- Manuel Cardoso: Requiem aeternam, Te decet, Missa pro defunctis à 6, für sechs Stimmen, 1625
- Manuel Cardoso: Kyrie, Christe, Kyrie eleison, Missa pro defunctis à 6, für sechs Stimmen, 1625
- José María Sánchez Verdú: Engelstudien, aus Musiktheater "Aura", 2009
- José María Sánchez Verdú: EXITUS II, für Streichtrio und Auraphon, 2011-13
- Tomás Luis de Victoria: Sanctus, Benedictus, aus: Officium Defunctorum, à 6, 1605
- Tomás Luis de Victoria: O Domine, aus: Officium Defunctorum, à 6, 1605
- SCHOLA HEIDELBERG | ensemble aisthesis
Leitung: Walter Nußbaum
Veranstalter: heidelberger frühling
Programm
Works by José María Sánchez-Verdú, Josquin des Prez, Manuel Cardoso, and Tomás Luis de Victoria
About the event
8:15 p.m. Conversation with composer Jose Maria Sánchez-Verdú at Peterskirche
The Schwetzingen Festival and the Heidelberg Spring Festival follow one another in quick succession every year: as the spring comes to an end, Schwetzingen begins. We would like to make this impressive festival continuum more tangible. At the 2018 Schwetzingen Festival, a new stage work by the Spanish composer Jose Maria Sanchez-Verdú will receive its world premiere: ARGO (Dramma in musica). We are building a bridge to this event with this portrait concert. Sanchez-Verdú is a composer who draws inspiration in many ways from music history, particularly from the early music of the Iberian Peninsula. Klangforum Heidelberg therefore contrasts Sanchez-Verdu’s works with those of the old masters of Spain and Portugal: Victoria and Cardoso.
In cooperation with the SWR Schwetzingen Festival and the SWR Experimental Studio
